- Behringer s 16 uses driver#
- Behringer s 16 uses Patch#
- Behringer s 16 uses full#
- Behringer s 16 uses plus#
I am all about reliability and simplicity. I wouldn't dream of using a DAW for live recording, although I realize most people think that's pretty normal.
I do lots of live recording using X32 (up to 32 tracks with two S16 stage boxes, and up to 16 tracks using the XR18, which I just love). And my next comment is even farther afield. The USB-attached device will only see what is enabled on that screen. I suppose you have already checked this, but you do have to have the correct settings on the "PC Card" screen (on the X32 console).
Behringer s 16 uses Patch#
Going to try sending the S16 inputs to some unused bus/xlr outs and physically plugging some xlr patch cables from the outs to some unused local inputs as a work around. And cannot select any outputs for recording at all. Maybe I'm missing something but I'm only seeing local inputs on asio but not the s16 ones.
Behringer s 16 uses driver#
But hit a snag trying to record inputs with the x-usb v4.11 driver and Sonar Platinum on Win10. Hv_ Been using the x32 at foh with an s16 onstage all summer and its working great for live sound. I've had no interest in getting plugins or the ProChannel to work from any control surface other than a touch screen. I mostly use the job wheel and reset function buttons, and of course the volume fader function to get a mix into initial balance. I also put the red 'overs' reset on a button. I put the jog wheel on one of the rotary controls, and the transport controls on some buttons. The assignable controls on the X32 can be coordinated with the little Mackie utility that's included with SONAR. Choose it, select Mackie Control, push the Remote button on the X32, and it should spring to life. I'll start with the generic basics, and then you can point me to where your interest actually is: Depending on how the ASIO driver sees the X_UF Firewire or USB interface, that will be one of the MIDI interfaces shown in the SONAR menus under the Preferences > Control Surfaces. I'm not sure about where your 'other post' is, and I don't exactly know what you're asking. Guitarmech111 Gary, can you reply in my other post about setting up the X32 as a controller?
Behringer s 16 uses plus#
I would also love to have the same 32-fader bi-directional, plus scribble strip support that the Reaper OSC functions have enabled for the X32.
i would absolutely love to have the ability to toggle between track and bus fader control, but that doesn't work with the Mackie Control implementation in the X32.
Behringer s 16 uses full#
In general I find that doing track volume automation with a mouse is fine with me once I've taken full advantage of the simultaneous changes and experimentation that's possible with a handful of 8 sliders to get the mix started in the right direction. I only use the Mackie Control features for quickly getting rough levels on captures before drawing volume automation. I have an Audio-Technica condenser mic on the talkback channel. Moreover, I have three sets of speakers that are controlled from the X32, so the monitor controller function that would be separately necessary on a conventional interface is fully integrated and flexible. Headphone mixes can have effects (reverb, compression) generated within the X32 with no concern about the latency settings of SONAR. Depending on the required number of input tracks, I can have untouched inputs right off the preamps and processed inputs (via the P16 bus) both recorded. The X32's flexibility while recording is what makes me content with my decision. I have also done remote recordings using the venue's X32 with a laptop that has my old Sonar 8.5. See? Sometimes less really is more.I have an X32 and an S16 that I use regularly as the central part of my studio with X3. It also costs less and gives you more options. Simply put: the S16 system gives you fewer headaches, takes less time to set up, and requires less cabling than any typical analog snake system. But it provides you with other great options as well, such as total integration with Behringer's awesome Powerplay personal monitoring system. Like many that came before it, the Behringer S16 digital snake system provides live sound professionals like you with the convenience of remote-controlled onstage microphone preamps, and it replaces your bulky analog snake with a lightweight and inexpensive Cat 5 Ethernet cable. Behringer S16 16-channel Digital Snake (S-16 / S 16)